Versión en español

Date and Place of birth:
b. Sept. 4, 1896, Marseille, France
d. March 4, 1948, Ivry-sur-Seine

Life and Works:

Artaud's parents were partly Levantine Greek, and he was much affected by this background, especially in his fascination with mysticism. Lifelong mental disorders sent him repeatedly into asylums. He sent his Surrealist poetry L'Ombilic des limbes (1925; "Umbilical Limbo") and Le Pèse-nerfs (1925; Nerve Scales) to the influential critic Jacques Rivière, thus beginning their long correspondence. After studying acting in Paris, he made his debut in Aurélien Lugné-Poë's Dadaist-Surrealist Théâtre de l'Oeuvre. Artaud broke with the Surrealists when their leader, the poet André Breton, gave their allegiance to communism. Artaud, who believed the movement's strength was extrapolitical, joined another defecting Surrealist, the dramatist Roger Vitrac, in the short-lived Théâtre Alfred Jarry. Artaud played Marat in Abel Gance's film Napoléon (1927) and appeared as a friar in Carl Dreyer's classic film La Passion de Jeanne d'Arc (1928).

Artaud's Manifeste du théâtre de la cruauté (1932; "Manifesto of the Theatre of Cruelty") and Le Théâtre et son double (1938; The Theatre and Its Double) call for a communion between actor and audience in a magic exorcism; gestures, sounds, unusual scenery, and lighting combine to form a language, superior to words, that can be used to subvert thought and logic and to shock the spectator into seeing the baseness of his world.

Artaud's own works, less important than his theories, were failures. Les Cenci, performed in Paris in 1935, was an experiment too bold for its time. His vision, however, was a major influence on the Absurd theatre of Jean Genet, Eugène Ionesco, Samuel Beckett, and others and on the entire movement away from the dominant role of language and rationalism in contemporary theatre. His other works include D'un voyage au pays des Tarahumaras (1955; Peyote Dance), a collection of texts written between 1936 and 1948 about his travels in Mexico, Van Gogh, le suicidé de la société (1947), and Héliogabale, ou l'anarchiste couronné (1934; "Heliogabalus, or the Crowned Anarchist").

• Antonin Artaud : Selected Writings -- Antonin Artaud, Susan Sontag; Paperback
• Watchfiends & Rack Screams : Works from the Final Period -- Antonin Artaud, et al; Paperback