Books of the World newsletter

Issue number: 001

Date: 09-17-1999
Previous issues:

NEWS AND ARTICLES


RECENT ADDITIONS TO "BOOKS OF THE WORLD"


RECOMMENDED BOOKS
  • BIOGRAPHIES AND MEMOIRS:
    • "Lady Bird: A Biography of Mrs. Johnson" by Jan Jarboe Russell
      Lady Bird Johnson's life has been marked by dramatic transitions: LBJ asked her to marry him on their first date; she was unexpectedly thrust into the White House after Kennedy's assassination. "Lady Bird" makes clear that she is an intelligent and determined woman who was instrumental in her husband's success.
    • "Mandela: The Authorized Biography" by Anthony Sampson
      Nelson Mandela's life story is one of the most inspiring of our times: a tireless champion for a peaceful South Africa,
      he became an icon of freedom and justice, even during his 27-year-long imprisonment. On the occasion of the publication of Anthony Sampson's "epic biography" of the leader, South African journalist Michael Morris writes about some of the man's conflicts and the impact the first black president of South Africa has had on his country and its people.
    • "Titan: The Life of John D. Rockefeller Sr." by Ron Chernow
      A century before Windows, John D. Rockefeller controlled 90 percent of America's oil industry--and if you thought the
      Justice Department's Microsoft probe was tough, try going up against a muckraking investigation led by Theodore Roosevelt. Ron Chernow's "Titan," newly published in paperback, offers rich new insights into how the world's first billionaire amassed his fortune.
    • "Bill and Hillary: The Marriage" by Christopher Andersen
      Christopher Andersen draws on important sources--many speaking here for the first time--to take readers on a fascinating journey inside the world's most talked-about marriage.
    • "Caravaggio: A Life" by Helen Langdon
      Helen Langdon's marvelous biography suggests that rather than destroying painting, the Milanese artist gave it a new
      lease on life.

  • HISTORY:
    • "Einstein's German World" by Fritz Stern
      Einstein's German world was one of contradictions--Jews made notable contributions to Germany's prosperity and strength, but were seen as second-class citizens. In this new collection of essays, Fritz Stern examines the scientific and cultural milieu of early-20th-century Germany.
    • "The Millennium Year by Year"
      "William conquers English at Hastings"; "Columbus proves the world is round"; "American independence is declared." "The Millennium Year by Year" tells the history of the last thousand years in the form of lavishly illustrated modern newspaper articles.

  • INDEPENDENT AND UNIVERSITY PRESSES
    • "The Autobiography of Joseph Stalin" by Richard Lourie
      Publisher: Counterpoint Press
      In "The Autobiography of Joseph Stalin," the translator and novelist Richard Lourie lets that chuckling despot tell his own story, from his obscure origins in the Georgian sticks to his bureaucratic apotheosis as ruler of all Russia. In part Stalin simply wants to get his life down on paper. But as he informs the reader, he's also trying to launch a preemptive strike against his archnemesis, Leon Trotsky, who's currently compiling a scurrilous (i.e., fundamentally accurate) biography of Stalin in Mexico City. Given this scenario, many a novelist would have turned Uncle Joe into an articulate monster, a kind of Bolshevik Iago. Lourie takes a different route. Oh, his narrator does have a gift for poetic doublespeak, which comes into play during his ruminations on the 1938 Moscow show trials: "In a certain highly literal sense of the word, most of these men are not guilty of most of these crimes. They may, however, be guilty of many other crimes, crimes for which the state has decided to spare itself the expenses of a trial but which would have cost them their head in any case." But Lourie's Stalin is very much a meat-and-potatoes stylist--perhaps "blood-and-guts" would be the more appropriate epithet, considering the number of corpses he leaves in his wake. His raw efficiency as a narrator does have its blackly comic charms, however, and his race to the biographical finish with Trotsky gives the book a powerful momentum. (Students of history will recall that the narrator's rival was brutally cut off in Mid-sentence.) And what would be the moral of Stalin's story, at least in Lourie's version? There are two, which should surprise nobody: "Always watch your back" and "It's lonely at the top." --James Marcus
    • "The Artist's Widow: A Novel" by Shena Mackay
      Publisher: Moyer Bell Ltd.
      Many adjectives have been applied to the work of Shena Mackay, but "sentimental" is not one of them. "The Artist's Widow" is a fine example of Mackay's brand of acerbic storytelling--who else, one wonders, would have the chutzpah to end a novel with the death of Diana, neatly skewering popular sentiment about "the People's Princess" with her title character's dry remark that "we're in danger of genuine grief being whipped up into something ugly." Indeed, the line between genuine feeling and its ugly counterfeit is the underlying theme of Mackay's fifth novel, and she sets the tone right from the start as she plunges us into a retrospective of the work of recently deceased artist John Crane, attended by his friends and family. Chief among these are Lyris, his widow, also a painter, and Nathan, his great-nephew, an artist-poseur long on posturing and woefully short on talent. Lyris, who nurses no illusions about her relation, remembers him "as a little boy at a family party loading his paper plate with cocktail sausages, chocolate fingers, gherkins, cake and crisps until it collapsed, and with white powder on his nose at her husband's funeral." Nevertheless, she harbors a fondness for him. Nathan, on the other hand, regards her as an "old bat," but is willing all the same to suck up to her, his eye always cocked on the main chance. Eventually he manages to convince Lyris that there's a real bond of affection between them--an illusion that nearly costs her everything. But Lyris is not the only character suffering from delusions--all are suffering in various degrees from a disconnect between what is real and what they'd desperately like to believe. Mackay masterfully mixes and mismatches her creations, leaving them with at least as many loose strings dangling as ones that have been tied up. Readers looking for an uncomplicated happy ending, beware: the world-view expressed in this gleefully black domestic comedy has far more in common with evelyn Waugh's than Jan Karon's. --Alix Wilber
    • "Here Is New York" by E. B. White
      Publisher: The Little Bookroom
      "On any person who desires such queer prizes, New York will bestow the gift of loneliness and the gift of privacy." So begins E.B. White's classic meditation on that noisiest, most public of American cities. Written during the summer of 1948, well after the author and editor had taken up permanent residence in Maine, "Here Is New York" takes a fond glance back at the city of his youth, when White was one of the "young worshipful beginners" who give New York its passionate character. It's also a tribute to the sheer implausibility of the place--the tangled nfrastructure, the teeming humanity, the dearth of air and light. Much has altered since White wrote this essay, yet In a city "both changeless and changing" there are things that will doubtless ring equally true 100 years from now. (To wit, "New Yorkers temperamentally do not crave comfort and convenience--if they did they would live elsewhere.") Anyone who's ever cherished his essays--or even "Charlotte's Web"--knows that White is the most elegant of all possible stylists. There's not a sentence here that does not make itself felt right down to the reader's very bones. What would the author make of Giuliani's New York? Or of Times Square, Disney-style? It's hard to say for sure. But not even Planet Hollywood could ruin White's abiding sense of wonder: "The city is like poetry: it compresses all life
      ... into a small island and adds music and the accompaniment of internal engines." This lovely new edition marks the
      100th anniversary of E.B. White's birth--cause for celebration, indeed. --Mary Park

  • MISTERY AND THRILLERS
    • "Darkness Peering" by Alice Blanchard
      Alice Blanchard's debut mystery, "Darkness Peering," takes us deep into the heart of the small town of Flowering Dogwood, Maine. In 1980, a young girl was murdered there, but the case went unsolved. Eighteen years later, a similar murder reopens old wounds and reignites fears.
    • "Black Notice" by Patricia Cornwell
      Lights, action, scalpel. Chief medical examiner Kay Scarpetta is back and ready to cut into her 10th case. "Black Notice" sweeps the doctor away on an international journey, as she investigates the death of a stowaway.
    • "Cuba" by Stephen Coonts
      Admiral Jake Grafton storms back for his seventh explosive adventure in "Cuba." All hell breaks loose when Cuba
      discovers that the U.S. has stockpiled chemical weapons in Guantanamo Bay. Only Grafton can stop the impending warfare.
    • "Orchid Beach" by Stuart Woods
      When Holly Barker quit the Army under difficult circumstances, she thought Florida's Orchid Beach would be the perfect place to start fresh. But her new job as police chief causes deep resentments within the clique-y community.
    • "The Devil's Teardrop" by Jeffery Deaver
      In "The Devil's Teardrop," a ruthless assassin massacres dozens of people on a subway. A handwritten note is the only clue to his identity. Parker Kincaid, an expert in document analysis, has only hours to figure out who wrote it before the killer strikes again.

  • SCIENCE FICTION
    • "The Martians" by Kim Stanley Robinson
      Kim Stanley Robinson's "The Martians" adds new stories, essays, and characters to his bestselling Mars series.
    • "The Golden Globe"
      In John Varley's "The Golden Globe," one of my favorite novels of 1998, Varley tells the story of Shakespearian spaceman Sparky Valentine, a memorable character indeed.
    • "Dune: House Atreides" by Brian Herbert and Kevin J. Anderson
      On October 5, Brian Herbert will step into his father's footsteps with the release of "Dune: House Atreides," a prequel to Frank Herbert's classic science fiction series about a desert planet and the factions fighting to control its hidden riches. Veteran SF author Kevin J. Anderson cowrote the new Dune adventure. Pre-order a copy now, and
      we'll send it to you as soon as it's released.
    • "The Great War: Walk in Hell" by Harry Turtledove
      Alternate history ace Harry Turtledove continues his stunning series examining the possible consequences of a
      Confederate victory in the American Civil War.
    • "The King of Elfland's Daughter" by Lord Dunsany
      Rediscover an enduring fantasy, Lord Dunsany's "The King of Elfland's Daughter." This love story between a man and a beautiful elfin princess will sweep you away to a magical world.

  • WOMEN'S STUDIES
    • "At the Breast: Ideologies of Breastfeeding and Motherhood in the Contemporary United States" by Linda M. Blum
      Nature and gender dynamics are often at cross-purposes, and it seems to be the fate of feminists in the last years of
      the 20th century to find themselves forever hostage in the uneasy negotiations between the two. University of New Hampshire sociologist Linda Blum's highly informative study of the cultural complexities behind the simple act of breast-feeding is yet another example of the many ways in which a contemporary woman's right to choose often finds itself in conflict with physiology's dictates. The health benefits of breast milk for infants are almost universally acknowledged--but how realistic is it for all working women to nurse? What about those mothers who have a hard time making the transition between viewing their breasts as erogenous zones and seeing them as baby's buffet? There is even controversy about what exactly constitutes breast-feeding: Are sucklings weaned at six weeks or infants fed breast-pumped milk through a bottle truly "breast" babies? Blum's analysis of such issues is respectful of the social and psychological imperatives that inform a woman's decision.
    • "The Good Listener: Helen Bamber, a Life Against Cruelty" by Neil Belton
      When Helen Bamber was a little girl growing up in 1930s England, her father read sections of "Mein Kampf" to her to remind her that there was evil in the world. In 1945, at the age of 19, she traveled to the former concentration camp at Belsen to help with the physical and psychological recovery of Holocaust survivors. "Above all else," she said, "there was the need to tell you everything, over and over and over again. And this was the most significant thing for me, realizing that you had to take it all." Later in life, she became active in Amnesty International, and in 1985, she founded the Medical Foundation for the Care of Victims of Torture--an organization whose name, in the words of her
      biographer Neil Belton, "says more than most of us wish to hear." Blending history, biography, and moral indignation, Belton presents a view of the late 20th century darkened by cruelty. Bamber's lifetime of work--protecting children in hospitals, exposing unscrupulous doctors, and international human rights activism--is interwoven with capsule biographies of people who have influenced her. Belton also delivers searing indictments of governments still inflicting torture--indictments strengthened by the wrenching stories of some of the people Bamber has helped, including Adriana Borquez, tortured under Pinochet's regime in Chile, and people who have disappeared, such as Bill Beausire, with whom Borquez was imprisoned in 1975. Any book on the subject of torture and human rights is bound to be difficult and disturbing; "The Good Listener," however, remains powerfully inspirational. Bamber maintains that the work she and her colleagues do is not heroic. She is clearly wrong.
    • "Daughters of Light: Quaker Women Preaching and Prophesying in the Colonies and Abroad, 1700-1775" by Rebecca Larson
      This startling reassessment of the place of women in colonial America tells the story of 18th-century Quaker women, describing their power in popular reform movements of that era, and exploring their redefinitions of marriage and motherhood. Colonial Quakers, like their contemporary descendants, believed that "the Holy Spirit had been planted
      in the hearts of all humans to inwardly teach them," and despite strict rules regarding women's dress, language, and
      behavior, Quaker women were never denied their claims of a direct connection to God. So when Quaker women believed they were called to preach--in meeting houses, courthouses, and private homes; to other Quakers, to Native Americans, and to ecumenical audiences; in the West Indies, England, Europe, and the American colonies--they were given the freedom to do so. Rebecca Larson begins with a deft summary of Quaker history, then moves on to consider the theological justification for women's preaching, the ways in which women discerned their callings and arranged their journeys, and the effects of these journeys on private life, on Quaker communities abroad, and on the larger culture of colonial America. She's best, however, at describing the transformations wrought by these journeys on the women's inner lives. "Thy mother is become very courageous in riding thru deep waters and over rocky mountains beyond what I could expect," one woman wrote to another's child, in 1724. "She says fear is taken away from her and that she is born up by a secret hand, which I am very glad of and thankful to the Lord for."
    • "The Male Body: A New Look at Men in Public and in Private" by Susan Bordo
      Susan Bordo (who snagged a Pulitzer nomination for 1993's "Unbearable Weight") offers a frank, sprightly, and, yes,
      educational look at the male nude as an index to atitbustudes about sexuality in the broth of media and pop culture in
      which, like it or not, we all stew. While the Greeks were unafraid to celebrate masculine beauty, men have been strangely sexless throughout most of Western history--until Hollywood rediscovered the male body when Marlon Brando first shed his T-shirt in "A Streetcar Named Desire." It's only been in the '90s, however, that the male image has gone so far as to reclaim its penis. From de facto censorship to near idolatry, has ever an organ made such a journey in one brief decade? But it's not the penis alone that makes a man a man; perhaps, Bordo concludes, it's time for us to rethink our metaphors of manhood.




 
 
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